DRAWING, SONG, MOVEMENT, FOLKLORE, DRAWING, SONG, MOVEMENT, FOLKLORE

My work is an interdisciplinary practice exploring connection and embodiment. I use movement/dance as a source for writing, drawing, and scripts. A form of active listening, channeling inspiration from natural forces and a poetic tradition concerned with earthly magic. The research extends to filmmaking, where I employ both camera-based and cameraless techniques. My experimental documentary combined traditional footage with the tactile manipulation of film stock itself, furthering my inquiry into direct, physical impression and trace.